November, 1241—March, 1242, Tokaj, Kingdom of Hungary They want to breed me like the mare, even after my first man gave me back.
BY 
Elizabeth WrayOctober 13, 2023
A Lexus ad currently being aired shows digitally rendered images of two crash-test dummies.
BY 
William O'HaraOctober 12, 2023
In his introduction to the 1994 reissue of media scholar Marshall McLuhan’s Understanding Media, Lewis Lapham prepared two parallel lists delineating cultural textures resulting from different forms of dominant media.
BY 
EditorOctober 12, 2023
what’s landfill but the backside of civility? -Amy Clampitt, “The Reedbeds of the Hackensack”
BY 
JAMES WRONA and Elizabeth MurphyOctober 12, 2023
On April 17, 2012, The Straddler met Christopher Mackin in the lobby of the New Yorker Hotel to discuss his views on present-day American capitalism and the potential for economic alternatives.
BY
EditorOctober 12, 2023
In the fall of 2011, Fiat launched a series of television advertisements introducing a two-door coup to the American market.
BY 
Dan MonacoOctober 12, 2023
In May of 2012, The Straddler presented its third theatrical production, a staging of T.S. Eliot’s The Waste Land, at The Cell Theater in Manhattan.
BY
JAMES WRONAOctober 12, 2023
OLIVIA CIACCI Porphyra? Porphyra? visits me in a dream says, ‘Don’t let them—’ and when the tangles in which I’ve awoken break from my face (itself masking an interior broken) well what is there to do but get up?
BY
EditorOctober 12, 2023
he Dam Busters: retelling a heroic story It is a plausible criticism of those of us who have worked as paid, campus-based academics in the Western world that pressure to publish research of “utility” obliges us to make judgments in matters about which we are poorly equipped by life experience.
BY 
G.K. PeatlingOctober 12, 2023